Fall 2001 Syndicated Program Overviews
INTRODUCTION
This
SPECIAL EDITION #1 of the KTVG
PROGRAMMING NEWSLETTER is sent along to provide you with more detailed
information on the 2001-2002 syndicated programming season.
This
newsletter includes commentary on key returning shows, as well as the first
group of syndicated programs that have premiered over the past four weeks. In addition, we have provided, through WRAP,
MARKET TRACKS for all of the new strips for the past two weeks from Monday,
September 17th through Friday, September 28th. With the number of pre-emptions and
programming shifts during the week of September 10th, we felt that a
truer picture of the debuting shows’ performance would be achieved by that
two-week average. These printouts include:
q weighted historical averages (where they
existed) for programming in the time periods in September 2000,
q the current (target) program’s daily
performance with its lead-in from Monday 9/24-Friday 9/28 as well as the
averages for the prior weeks,
q the program’s competition in the time
period ranked by ratings for the most recent week (9/24-9/28) which can be
found at the bottom of each market specific column, and
q the weighted average of all the targeted
programs’ schedulings which is shown on the first column of each page. That column reflects the daily and weekly
averages for the full metered-market grouping.
We have also included
a copy of the Multi-Day Grids for the week of September 24-28, 2001. These metered market grids show weekly
averages by quarter hour and all programs within a 24-hour period (5AM-5AM)
allowing you to analyze the full schedules and their competition.
We believe that the above-mentioned grids, tracks and
rankings, as well as the following review, will provide stations with detailed
information on all of the new and key returning shows for 2001. At the beginning of each section, for the
charts only, we will be introducing the more precise share performance
comparisons taking each measurement to a single decimal point. With all of these materials, we hope that
you will once again have the informational arsenal to put into some perspective
the ratings that have been part of the FLASH reports e-mailed to stations. We will be following up with SPECIAL EDITION #2, as we have in the
past, which will cover the October 2001
survey. It is scheduled for a
November 2nd publication date and will include the premieres of the
remaining series FIFTH WHEEL, the official start of KING OF THE HILL and a national
ranking of both M-F strips and weekly programming.
|
|
Weeks
of 9/17-9/28/01 |
LEAD-IN |
|
VS. LEAD-IN |
|
SEPTEMBER
2000 T.P. |
9/17-9/28/01
VS.
SEPT ‘00 |
|||||
PROGRAM |
RTG |
SHR |
RTG |
SHR |
% RTG |
% SHR |
RTG |
SHR |
% RTG |
%
SHR |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Oprah Winfrey |
5.2 |
13.7 |
4.0 |
11.4 |
+30% |
+20% |
4.8 |
13.2 |
+8% |
+4% |
|
|
|
Live! With Regis |
4.4 |
15.2 |
4.7 |
15.5 |
-6% |
-2% |
3.8 |
15.2 |
+16% |
- |
|
|
|
Rosie O'Donnell |
3.2 |
9.2 |
2.9 |
9.2 |
+10% |
- |
3.1 |
9.7 |
+3% |
-5% |
|
|
|
Maury Povich |
2.3 |
7.4 |
2.3 |
7.6 |
- |
-3% |
2.6 |
9.5 |
-12% |
-22% |
|
|
Martha Stewart |
2.0 |
7.0 |
2.2 |
7.4 |
-9% |
-5% |
1.9 |
7.4 |
-5% |
-5% |
|
|
|
Montel Williams |
1.9 |
6.0 |
2.5 |
7.9 |
-24% |
-24% |
2.1 |
7.2 |
-10% |
-17% |
|
|
|
Jerry Springer |
1.8 |
6.0 |
1.7 |
5.2 |
-6% |
+15% |
2.1 |
7.6 |
-14% |
-21% |
|
|
Sally Jessy Raphael |
1.6 |
5.8 |
2.3 |
7.9 |
-30% |
-27% |
2.1 |
8.2 |
-24% |
-29% |
|
|
|
The Other Half |
1.4 |
5.4 |
2.3 |
8.5 |
-39% |
-36% |
1.5 |
6.2 |
-7% |
-13% |
|
|
|
Iyanla |
1.4 |
5.2 |
2.5 |
8.5 |
-44% |
-39% |
1.6 |
6.6 |
-13% |
-21% |
|
|
|
Jenny Jones |
1.4 |
5.0 |
1.7 |
6.1 |
-18% |
-18% |
1.6 |
6.5 |
-13% |
-23% |
|
|
|
Ananda Lewis |
1.4 |
4.3 |
2.1 |
6.7 |
-33% |
-36% |
2.2 |
7.3 |
-36% |
-41% |
|
|
|
Ricki Lake |
1.4 |
4.1 |
1.4 |
4.5 |
- |
-9% |
1.7 |
5.3 |
-18% |
-23% |
|
|
Crossing
Over
|
1.4 |
3.9 |
1.6 |
4.8 |
-39% |
-36% |
1.7 |
5.1 |
-18% |
-24% |
|
|
Talk
or Walk
|
0.9 |
3.0 |
1.3 |
4.4 |
-31% |
-32% |
1.5 |
5.2 |
-40% |
-73% |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
TALK SHOW AVERAGES |
2.1 |
6.7 |
2.4 |
7.7 |
-13% |
-13% |
2.3 |
8.0 |
-9% |
-16% |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Source: NSI WRAP Overnights, metered market program tracks
as dated, weighted averages, excluding Ft. Myers.
Ananda Lewis comes to syndication after several years on
both MTV and BET cable. King World has
been able to launch the program on a solid line-up, consisting of the TRIBUNE
stations in the top three markets and a mix of traditional and non-traditional
affiliates in both daytime and early fringe slots. Ananda Lewis has been given the task of both maintaining
her younger audience while at the same time expanding to embrace the core older
female viewers. In essence, the Ananda Lewis show must find topics that attract both mother
and daughter. Across the available metered sample, 46 markets have scheduled
the program. Ananda Lewis is predominantly scheduled in daytime (32
markets), with only 10 markets placing the show in early fringe. Using the past two weeks’ data for
comparison, the program has not been able to build on its lead-in base, nor at
this early stage in the season, provide any growth over year ago time period
levels. For the clearances in daytime,
the program is off by -35% in share from its average lead-in program, while
also under achieving the time periods from last September by -43%.
Among the better market stories to report are BL (WBAL/11AM) 2.5/8, SA
(KMOL/2PM) 2.5/7, WP (WPTV/11AM) 2.5/8, MS (WREG/10AM) 3.8/10 and AU (KVUE/9AM)
2.5/10. Ananda is currently bunched together with the
premiering talk shows at less than a two rating.
Coming to syndication after successful
primetime and late night runs on the SCI-FI cable channel is John Edward, the
psychic who is well known for his ability to speak with the deceased. With concurrent plays on both broadcast and
cable, the series is most often scheduled as back-to-back half hours. The most visible of its clearances, New
York’s WCBS in early fringe, has not been airing because of the station’s
ongoing coverage of the WTC tragedy.
Other clearances in the top ten markets included early fringe plays in
San Francisco (KTVU/4PM), Boston (WSBK/3PM), Dallas (KTVT/3PM), Detroit
(WWJ/5:30PM) and Atlanta (WGCL/4PM).
Across the metered market sample, there were 18 afternoon clearances; Crossing
Over delivered an average 1.5/4 in early fringe that was down by -30%
from its lead-in and -30% from the September 2000 time period levels. Scheduled in 27 daytime markets, the program
posted a 1.3/4, off lead-in programming levels by -11%. So far, Crossing Over has not
been able to improve on year-ago time period, dipping -16% from September 2000
time period shares. Despite some
positives in the early demographic stories, Crossing Over with John
Edward has not been able to increase the household sampling this
September. Our look at the pre and post
September 11th levels shows that while CROSSING OVER
was not negatively impacted, neither did it achieve any additional momentum
from its August start.
Iyanla was the first syndicated series to premiere
this season. The August 13th
start date allowed for stations to provide an additional promotional thrust to
the program’s launch. Prior to this
show, author Iyanla Van Zant was a frequent guest on the Oprah
Winfrey Show
dealing with relationships and personal growth. Produced by Barbara Walters and The View’s (ABC daytime) Bill Gedde, Iyanla has been cleared by many of the ABC O &
O’s and key affiliates in late fringe including top markets New York,
Philadelphia, San Francisco, Detroit, Houston and Raleigh. The program achieved a late fringe average
of 1.6/8, which was up from the September 2000 time period shares by 13%. There were a limited number of afternoon
stories (7 markets) including WBBM/Chicago, KING/Seattle, KNXV/Phoenix,
WMAR/Baltimore, WTVM/Birmingham and KRQE/Albuquerque. In that key daypart, Iyanla delivered an average 1.1/3 which was down -46% from its lead-ins and
below September 2000 time period by -48%.
In its predominant daytime daypart (31 markets), Iyanla delivered a 1.4/5 and was -45% off its
average lead-ins and down –28% from year ago time period. Iyanla, still trying to find a balance between regular talk show fare and her personal
relationship specialty, has not been able to attract significant sampling. Like Crossing Over, the other early launch, this program did not
gain or lose momentum following the September 11th WTC tragedy.
The Other Half, which uses the phrase “the world of women
through the eyes of men” as its mantra, premiered just prior to the WTC
tragedy. This has caused the program to
be extensively pre-empted during the premiere week and even later in the New York
market. Hosted by Dick Clark, Danny Bonaduce, Mario Lopez and Dr. Jan Adams,
the talk show deals with a variety of issues in a multi-segmented format
similar to The
View. Cleared on the NBC O & O’s, The Other
Half is most often scheduled
following the third hour of the Today Show. The program has been able to
get some sampling because of the increased interest in the news and news
developments which has translated to viewership for that last hour of the Today
Show. Cleared in 45 markets in our metered market
sample, 32 of those markets have scheduled The Other Half in daytime.
In that key area, the program was down significantly from its average
lead-in by -38% and off by only -10% from September 2000 time period. The best stories were registered in CL
(WKYC/10AM) 3.1/12, DV (KUSA/10AM) 2.9/11, CO (WCMH/10AM) 2.8/11, PV
(WJAR/11AM) 2.9/12 and LK (WLKY/10AM) 2.5/9.
There are only 3 markets airing the program in early fringe with another
10 in late fringe. Neither of the
dayparts was able to improve on the daytime or overall numbers for the program.
Talk or Walk, with host Michael Baisden, attempts to
provide stations with a more advertiser friendly version of the interpersonal
conflicts that have become the staple of daytime talk. The program presents a number of
controversies each hour, asking the studio audience to provide advice and then
vote on whether the show’s participants continue to “talk” or “walk” away from
the circumstances. Developed by the
folks at TRIBUNE, the major market clearances for the program are on their
station group. Talk or Walk is scheduled across 47 markets in our metered
sample. With 35 clearances in daytime,
it is the most important daypart to track its performance. Talk or Walk is down from its lead-ins in daytime by -31%. The program is also off the September 2000 daytime averages by
-46%. The significant stories that we
observed were in NY (WPIX/12N) 1.5/5, CH (WGN/10AM) 2.0/6 and BL (WNUV/10AM)
1.6/6. There were an equal number of
schedulings (5 markets each) in both early and late fringe. Talk or Walk’s performance in those dayparts was not markedly
improved over the daytime numbers. This
talker was the last of the new offerings to premiere starting on September 17th. The lack of promotion may account for some
of the performance declines, but there must be some concerns about Talk or Walk even in the context of this season and its
sluggish start.
Jenny Jones returns for a
key season as the program maintains its more edgy approach to the talk show
format. Currently Jenny Jones
is only scheduled in Los Angeles, Detroit and Oklahoma City in early fringe.
The remainder and the predominant number of situations are in the 45 markets
airing Jenny in daytime slots.
In that daypart the program is at a 1.5/6 and is off both its lead-ins
by -8% and September 2000 time period by –12%.
When we look more closely, we find that in 55% of the cases we are
comparing Jenny Jones to her own performance. The best stories were registered by MS
(WMC/10AM) 4.2/11, CH (WGN/2PM) 3.3/10, TP (WTVT/1PM) 2.8/8 AQ (KOB/11AM)
2.6/9, KC (KDAF/11AM) 2.6/10 and RD (WTVD/9AM) 2.5/9.
Jerry Springer with its SPRINGER CAM, battling couples and their
families and friends still at the ready, has started a new season of
mayhem. The program is scheduled in 49
markets with 37 of them slotting double runs for 75% of the stations with two
plays per day. There were 36 markets airing JERRY SPRINGER in daytime. In that important daypart, the program was
able to deliver an average 1.9/6 which is off -20% from September 2000 time
period levels, but up 20% from its lead-in share. The best of the those stories
were in AT (WAGA/1PM) 3.7/11, AU (KTBC/9AM) 3.6/13, DE (WDIV/10AM) 3.4/11, CO
(WTTE/9AM) 3.1/11, LK (WDRB/9AM) 3.1/11, WP (WPBF/10AM) 3.0/10, CL (WJW/2PM)
2.9/10 and CH (WFLD/11AM) 2.8/9. There
are 27 markets that are airing Jerry Springer in late fringe. Those airings yielded an average 1.2/5 for
these mostly second runs. They were not surprisingly off their late fringe
lead-ins by -14%, but more importantly down -29% from the same time periods
last September. It is a mixed bag for Springer
with
some good market stories, but overall declines.
Live with Regis & Kelly, which experienced the WTC
tragedy live on the air, was able to go forward transitioning its audience to a
sense of normalcy. Following Kathie Lee
Gifford’s departure last spring, the fall 2000 program paired Regis Philbin
with guest co-hosts before Kelly Ripa was anointed as his new co-host. The program, which has become a staple of
morning line-ups, has made the best transition from one co-host to another in
the history of television. Live
with Regis & Kelly has not only maintained its positive momentum, but has
also grown its audience. Taking on the
third hour of the TODAY SHOW in many, if not all markets, LIVE has
been able to win many of the head-to-head battles. There were 23 markets of the
48 daytime stories where the programs were directly competitive and Live was the
#1 program in that time period most days.
Some of the best stories are, of course, in the home base of New York
while 26 markets or 55% of all daytime schedulings delivered a 4.4 or better
rating equaling or surpassing the overall average rating in daytime. Among that group a solid 65% delivered a 5
or better rating for the past two weeks.
In these uncertain times Live has become a rock solid franchise
program in daytime.
Martha Stewart Living
remains a consistent performer in predominantly daytime time periods
across 37 markets. The program is also
slotted in early fringe in only 5 markets including two PAX stations in
Milwaukee and Oklahoma City. The most
visible afternoon stories are in San Francisco, Seattle and Kansas City. With over 80% of the ratings situations in
daytime, the show’s average 1.8/6 is up by over 60% from its lead-ins, while in
another important comparison; the program is off by 25% from September 2000
time period. Martha Stewart Living
did
have some solid stories to report including NO (WWL/9AM) 6.4/19,
DE (WXYZ/10AM) 4.6/15, OR (WESH/11AM) 4.3/15 and PT (KDKA/10AM) 4.1/13. There were 7 additional markets delivering a
3 or better rating for the program. It
would seem that we would have to read these results in the context of the
improved performance for the Early Show (in light of heightened news
interest), given that Martha often follows that program. But, to be fair, all of these stories cannot be exclusively
attributed to that factor alone. Martha
Stewart has shown her solid following and in these troubled times viewers may
be returning to the tried and true. We
will be keeping a close eye on the developing story as the season progresses.
Maury continues airing in 49 markets in our metered sample
with over 20 double runs and the majority of clearances in the key daytime (35
markets) daypart. The program is
slotted in early fringe in nearly 20 markets in the metered sample. Maury was down by 20% from its September
2000 time period levels overall. In
daytime, the talk show was off by less than 5% in share from its average
lead-in, but down from its September 2000 levels by nearly 25% in that daypart. The best stories in daytime included time
periods with a 4 or better rating for stations in JX (WJXT/10AM) 5.3/17, WP
(WPTV/10AM) 5.2/17, BL (WJZ/10AM) 4.5/16, BH (WBRC/2PM) 4.5/11 and LK
(WHAS/10AM) 4.3/15. There were another
half dozen markets averaging a 3.5 or better rating in daytime. In the afternoon, an area that STUDIOS USA
has tried to expand Maury as a potential lead-in to early newscasts, Maury was
basically flat with its lead-in shares while dropping -15% from September 2000
time period in the afternoons. The
program did however have some good stories to report with double-digit shares
including AQ (KOAT/3PM) 4.4/12, SM (KOVR/4PM) 4.4/10, DE (WDIV/4PM) 4.2/10, NV
(WSMV/3PM) 3.8/10 and CO (WCMH/3PM) 3.6/11.
Like many of the other returning talk shows, Maury was
down from year-ago levels while encouragingly able to maintaining lead-in
performance shares.
Montel Williams has been concentrating on the disaster at the WTC in many of his recent shows. The program is scheduled across all 50 of the available metered sample that we review. There are 17 markets that double run the program. With 35 markets airing Montel Williams in daytime and 21 markets with early fringe plays, we will concentrate on both dayparts. In daytime, Montel is off from its average lead-ins by -31% and down from September 2000 programming by -14%. There are some solid stories to report for the program in NV (WTVF/9AM) 4.8/14, CO (WBNS/10AM) 4.3/16, SL (KDKA/10AM) 3.8/15 and BH (WBMA/9AM) 3.5/10. When we shift our focus to the afternoon, Montel delivers an average 2.2/6, which is down from its lead-ins by -12% and off September 2000 time period by -23%. The best early fringe stories were registered in CT (WBTV/4PM) 4.4/10, TP (WFLA/3PM) 4.1/11, IN (WTHR/3PM) 4.1/11, BF (WGRZ/4PM) 4.1/9, NF (WAVY/4PM) 3.9/9 and ML (WISN/3PM) 3.5/11.
Oprah Winfrey continues as the leading talker with airings in 49
early fringe markets and one morning clearance in her home base, Chicago. Oprah was at 5.8/14 in that key
afternoon daypart. Though the program is still at the head of the talk show
list, and is garnering increases from lead-in shares of 28%, Oprah is off
from September 2000 time period by -20%.
The program was traditionally the time period leader in all of its
markets, and though Oprah still remains solidly competitive, on many days
against stiffer competition, we find as many as a third of the show’s metered
sample is not in first place for its time slot. That said, among that same market sample delivering a 7 or better
rating were stations in Philadelphia, Atlanta, Detroit, St. Louis, Baltimore,
Indianapolis, Jacksonville, Milwaukee, Columbus, West Palm Beach, New Orleans
and Greensboro/Winston-Salem. Oprah
continues
with second runs in late fringe in 10 markets.
In late night the program’s rebroadcasts delivered an average 2.7/12
which is understandably down from lead-ins by -8%, but above year ago time
period by near 40%. In this final year
for the constant Tuesday presence, Dr. Phil, we will be keeping an eye on the Oprah
numbers
with and without the good doctor.
Ricki Lake, with extensive clearances on non-traditional affiliates
in early fringe and often in the key 5PM slot, continues to be used as counter
programming to local newscasts.
Ricki‘s focus remains on the talker’s younger and urban
viewers. The program has 49 market
stories with 31 stations airing the program in daytime and another 17 in early
fringe. Our review begins in the
afternoon with the most visible clearances residing in that daypart. Ricki delivered an average 1.1/2 which
was up from its lead-in share levels by about 50%, but like many of the other
talkers, the program was also off September 2000 time period levels by
-54%. Ricki Lake
continues to deliver solid numbers in afternoon slottings in NF (WGNT/5PM) 4.0/8,
SM (KOVR/3PM) 3.6/11, MI (WBZL/5PM) 2.4/5, BN (WSBK/4PM) 2.3/5, AT (WATL/5PM)
2.3/5 and LA (KCOP/5PM) 2.1/5. With
over 60% of the stories in daytime, it is important to review that daypart
also. On average, Ricki Lake was off
her morning lead-ins by -15% and off year-ago time periods by -16%. The better stories were in MS (WHBQ/9AM)
4.9/12, AU (KTBC/2PM) 4.5/15, DE (WJBK/1PM) 2.3/7, WP (WFLX/11AM) 2.2/7, DV
(KDVR/1PM) 2.1/8, LK (WDRB/12N) 2.1/7, RD (WRAZ/10AM) 2.0/7 and BF (WNYO/1PM)
2.0/6.
Rosie O’Donnell begins her final year as host of this daily live variety effort with the majority of overall clearances still in afternoon slots. Rosie appears in 48 markets with 15 in daytime and the majority (33 markets) near 70% in the afternoon. Some of the best and most visible stories do however continue to be registered in daytime. In that key daypart, the program was down from its lead-in shares by -15%. As importantly, Rosie was down by –13% from the September 2000 time periods. Rosie, in key afternoon slots, was averaging a 3.2/9, up from lead-in shares by 20% and flat with time period share history. Even with those potentially early positives, the successor to Rosie, Caroline Rhea is being positioned in daytime rather than early fringe slots. The best stories in daytime were with a 3 or better rating at 10AM in New York, Philadelphia, Tampa, St. Louis, Indianapolis, Charlotte and Norfolk. Among the afternoon clearances, the talk show delivered a 4 or better rating in WP (WPTV/3PM) 6.0/15, BF (WKBW/4PM) 5.8/13, LV (KVBC/3PM) 5.3/12, PT (KDKA/4PM) 4.8/11, LK (WAVE/4PM) 4.6/10, CI (WLWT/3PM) 4.5/13, BL (WJZ/4PM) 4.5/11, PD (KATU/4PM) 4.1/11, and PX (KPNX/4PM) 4.1/9. These Rosie O’Donnell numbers will determine the fate of the genre and the potential for Caroline Rhea.
Sally Jessy Raphael returns this season with her fate
in the hands of viewers. The program
has been revamped to include a family of contributors as the Sally Jessy
Raphael program attempts to evolve to a more compelling offering for 2001
sensibilities. The talk show is still
scheduled in 49 markets with the majority in daytime. Sally has only 8 markets in the metered sample to review in early
fringe. In that afternoon daypart the
program remains down from its lead-in by -21% and down from historic (September
2000) time periods by -25% in share.
The best of the afternoon stories were LK (WAVE/3PM) 4.9/13, OK
(KOCO/3PM) 3.8/11 and PH (KYW/4PM) 3.5/8.
With nearly 75% of the ratings stories in daytime, that is where the
special focus continues. In those 37
markets, Sally Jessy Raphael (1.7/6) is off its 2.5/8 lead-ins by -28%.
The talk show is down by nearly -30% from the year-ago September 2000
time period shares. The best stories in
daytime with a 3.5 or better rating were in JX (WJXT/9AM) 4.5/15, MS
(WHBQ/10AM) 3.9/10, SA (KSAT/9AM) 3.7/12 and AU (KTBC/1PM) 3.6/12. With the number of pre-emptions and the
shift of focus to WTC related events, we cannot get a true reading of the
program’s future from these first weeks of the season.
GAME SHOWS
|
|
Weeks
of 9/17-9/28/01 |
LEAD-IN |
|
VS.
LEAD-IN |
|
SEPTEMBER2000
T.P. |
9/17-9/28/01 VS. SEPT ’00 |
|||
|
|
RTG |
SHR |
RTG |
SHR |
% RTG |
% SHR |
RTG |
SHR |
% RTG |
%
SHR |
PROGRAM |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Wheel of Fortune |
8.4 |
14.4 |
8.3 |
14.8 |
+1% |
-3% |
8.6 |
15.7 |
-2% |
-8% |
|
Jeopardy |
7.2 |
13.6 |
6.9 |
13.8 |
+4% |
-1% |
8.2 |
16.0 |
-12% |
-15% |
|
Hollywood Squares |
3.6 |
7.3 |
4.2 |
8.8 |
-14% |
-7% |
3.5 |
8.1 |
+3% |
-10% |
|
Family Feud |
1.5 |
4.5 |
1.5 |
4.7 |
- |
-4% |
1.7 |
5.3 |
-12% |
-15% |
|
To Tell The Truth |
1.1 |
3.4 |
1.2 |
3.8 |
-8% |
-11% |
1.4 |
4.2 |
-21% |
-19% |
|
Street Smarts |
0.9 |
3.6 |
1.1 |
3.8 |
-18% |
-5% |
1.1 |
4.8 |
-18% |
-25% |
|
Card Sharks |
0.9 |
2.9 |
1.1 |
3.7 |
-18% |
-22% |
1.1 |
3.5 |
-18% |
-17% |
|
|
|
|
|
|
|
|
|
|
|
|
|
GAME SHOW AVERAGE |
3.4 |
7.1 |
3.5 |
7.6 |
-3% |
-7% |
3.7 |
8.2 |
-8% |
-13% |
|
|
|
|
|
|
|
|
|
|
|
|
Source: NSI WRAP Overnights, metered market program tracks
as dated, weighted averages, excluding Ft. Myers.
The game show arena is evenly divided, at least by
number of offerings, between King World and Fremantle (aka Pearson). King World leads with Wheel, Jeopardy and Hollywood Squares while Fremantle struggles to stay
in the game with Family Feud, To Tell the Truth and this season’s Card Sharks.
Universal’s Street Smarts looks like a game, but plays more like a late night
relationship show since that’s where the majority of its clearances can be
found.
PREMIERING GAME SHOWS
This high/low card game is pulling more low numbers than high. The vast majority of its clearances are on
non-traditional stations averaging a 0.8 rating/3 share versus the 1.4 rating/6
share the show earns with its eight traditional affiliate clearances. Six of this latter group runs the show in
the wee hours. The exceptions are
WWJ/Detroit, which airs the show at 12N (2.6/8) and KXAN/Austin with its 0.9/3
average for a 2PM scheduling. While
Detroit is the exception to Card Shark’s overall performance, Fremantle hopes it reflects the show’s future
potential elsewhere; holding a game lead-in and improving on time period
history.
The bulk of the clearances are in daytime on non-traditional stations
earning a 0.8/3 for the daypart and performing on par with its lead-in and
September 2000 time period levels. If
they are lucky this might qualify for a push in the short term, but a busted
hand if it continues through the November and February sweep.
RETURNING GAME SHOWS
Now in its third season, Family Feud, with
host Louie Anderson runs in 48 of the metered markets (excluding Richmond,
Dayton and Ft. Myers) with an average 1.5/5.
This is flat with lead-in and history.
Twenty-six of those markets take at least two plays and it’s not
surprising that in 41 markets Feud is part
of a game block. Most of the FEUDing
takes place in daytime where the ten traditional affiliates outperform the 24
non-traditional affiliates: 2.2/8 versus 1.2/4. The show holds its lead-in in
both groups. Particularly strong
stories among the traditional affiliates were: WRAL/Raleigh (5.0/18),
WMC/Memphis (4.2/11) and WLKY/Louisville (4.1/12), but DC, CL and PT also
helped the average. Strong news
lead-ins on WLKY, WMC and WPXI/PT probably did their part in producing these
strong stories, but Feud performed on WOIO/CL despite a weak Iyanla lead-in
and complemented a Hollywood Squares lead-in in DC and RD.
In early fringe, eleven traditional affiliates run the game,
averaging a 1.9/5 only differing slightly from the 15-market average
(traditional & non-traditional stations).
Again there is no significant difference between Feud and its lead-in or year ago history. WTSP/Tampa (2.5/6) and WPBF/ West Palm Beach
(3.0/7) reflect the strongest traditional affiliate stories. The game is relatively flat with its own
September 2000 history and finishes 3rd in Tampa and 2nd
in West Palm Beach.
There are only five prime access clearances for Feud: four
on non-traditional affiliates averaging a 1.3/2 and one on the NBC affiliate in
Las Vegas (8.3/13). On KVBC/Las Vegas, FEUD holds
70% of its Wheel lead-in and is down 3 share points from year ago
history.
This is year
four for King World’s version of tic tac dough and while Hollywood Squares is the 3rd highest-ranking game show, it only reaches half of
the audience that Jeopardy, the 2nd highest-ranking game delivers. Squares continues to be primarily a traditional affiliate vehicle with 41 such
clearances (3.8/8), consistent with lead-in and year ago history. Eight of these instances fall in early
fringe (4.3/11), twenty-three in prime access (4.0/7) and five in daytime
(3.0/10). Most held these slots from
last season and, to date, held their share as well.
While
Jeopardy has experienced 5% household share erosion since last
September it is still an extremely strong program. The show’s biggest challenge right now is in Boston where the
game moved from the NBC affiliate, WHDN, where it averaged a 7/10 at 7:30PM to
UPN affiliate WSBK at 6:30PM. So far,
less than half the audience has followed the show (2.1/4). In New York (WABC), Jeopardy
is down a dramatic 40% in household rating and share (6.7/12) -- apparently as
viewers gravitated to WCBS’ expanded terrorist news coverage (5.3/9).
Across
dayparts the fifty-market average of a 7/14 increases to an 8.1/13 in the
twenty-eight prime access markets and settles in at a 5.7/15 in thirteen early
fringe situations.
Theoretically
a game, we find 80% of Street Smarts’ clearances in late fringe
on non-traditional affiliates paired with every genre and nearly every show,
averaging a 1.0/5. Generally, it holds
the lead-in as well as measures up to time period history. The strongest stories are found on WGN/Chicago
at 11:30PM (2.5/7) holding a Drew Carey lead-in, KDAF/Dallas at
12:30AM (1.6/6) leading out of Blind Date, WDWB/Detroit at 11PM
(2.1/3) leading out of a checkerboard of WB prime and KTVK/Phoenix at 11:30PM
and 12M (3.0/10 & 2.5/10) with ET as the initial lead-in.
The
smaller sample of traditional affiliates running Street Smarts in
late fringe resulted in stronger numbers (1.9/7) with a similar cross section
of lead-in programs. A few Street
Smarts clearances can be found in other dayparts, but without
significant results.
Making it to a sophomore year is no
mean feat for any show, but with that hurdle behind it the ratings game has not
gotten any easier for To Tell The Truth (1.1/3). The gap between this 5th ranked
game show and top players Jeopardy and Wheel is
several hundred fold. But the numbers
are a product, or at least partially a product, of the disparity in clearances
between one show and another.
Twenty-four of host John Hurley’s clearances are on non-traditional affiliates
in daytime -- a daypart which offers limited potential for any show to grow its
ratings story. These clearances created
a basis of a 0.6/2 delivery.
Additionally, one early fringe and one prime access non-traditional
clearance fare no better.
There are nineteen traditional
affiliate stories: five each in daytime (2.5/9) and early fringe (1.8/5), one
in prime access (4.8/9) and eight in late fringe (1.5/8). The prime access story on WUSA/DC at 7PM
represents a dramatic decline from the CBS news lead-in as well as
under-delivering year ago news levels in the slot.
It is the standard to which all the
other games aspire and amazingly enough Wheel has come through
this fall so far showing little wear and tear.
The two tenths of a rating point erosion from last September is
negligible. Pat and Vanna find
themselves up against the similar scenarios in New York and Boston as Jeopardy. The New York situation is less strident as Wheel
(7.3/12) is not up against WCBS’ expanded news, but against a strong ET
(5.1/9), fueled by this news lead-in.
The move from a traditional affiliate in Boston to a UPN affiliate has
been as difficult for Wheel (2.5/5) as Jeopardy
(2.1/4).
RELATIONSHIP SHOWS
|
|
Weeks
of 9/17-9/28/01 |
LEAD-IN |
|
VS.
LEAD-IN |
|
SEPTEMBER
2000 T.P. |
9/17-9/28/01 VS.
SEPT ‘00 |
|||
|
|
RTG |
SHR |
RTG |
SHR |
% RTG |
% SHR |
RTG |
SHR |
% RTG |
%
SHR |
PROGRAM |
|
|
|
|
|
|
|
|
|
|
|
Blind Date |
1.5 |
3.6 |
1.7 |
3.7 |
-12% |
-3% |
1.6 |
4.3 |
-6% |
-16% |
|
Elimidate |
1.3 |
3.2 |
1.6 |
3.6 |
-29% |
-11% |
1.5 |
4.0 |
-13% |
-20% |
|
Rendez View |
1.1 |
3.9 |
1.7 |
5.6 |
-35% |
-30% |
1.3 |
5.2 |
-15% |
-25% |
|
Change of Heart |
1.0 |
3.2 |
1.5 |
4.0 |
-33% |
-20% |
1.4 |
4.6 |
-29% |
-30% |
|
Shipmates |
0.9 |
2.9 |
1.0 |
2.9 |
-10% |
- |
1.4 |
4.3 |
-36% |
-33% |
|
|
|
|
|
|
|
|
|
|
|
|
|
RELATIONSHIP |
1.2 |
3.4 |
1.5 |
3.9 |
-20% |
-13% |
1.4 |
4.5 |
-14% |
-13% |
|
SHOW AVERAGES |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Source: NSI WRAP Overnights, metered market program tracks
as dated, weighted averages, excluding Ft. Myers.
PREMIERING RELATIONSHIP SHOWS
With thoughts of continuing in the past
traditions of Love Connection, Change of Heart and Blind
Date, this new season brings us Elimidate where the
contestant (male or female) can date four people at once and decide by the end
who to chose.
Without a primary clearance in NY, Elimidate
starts off with a minor handicap.
However, the show is airing in 48-metered markets achieving a 1.2/3,
down 25% from both lead-in (1.5/4) and year ago levels (1.4/4). When broken out by daypart, Elimidate
has shown stronger numbers, especially in late fringe where most of these
programs flourish. In this daypart the
program airs in 11 markets and achieves a 1.4/4, 17% higher than its overall
average, but still down 7% from year ago levels. Elimidate also airs in 7 markets in daytime and
achieves a 1.3/4, up 33% compared to September ’00 time period.
The best stories are in ML (WVTV/11PM)
2.7/7, up 17% from lead-in, MS (WLMT/11PM) 2.7/5, flat from both lead-in and
lead-out and SL (KPLR/12M) 2.6/9, flat from lead-in.
Using Blind Date as its
base, Rendez View takes this strong performer to the next level.
While Blind Date takes the viewer through the date, Rendez
View takes the date and has it analyzed by a panel of experts. Well, I don’t know if you would call these
guys experts: Greg Proops (Whose Line Is It Anyway?) and Ellen
Ladowsky host with two celebrity panelists who “analyze” the entire date.
With no clearance in Los Angeles, Rendez
View airs in 49-metered markets and delivers a 1.1/4, down 20% from
lead-in and year ago time period levels.
As with most of these relationship shows, their best daypart tends to be
late fringe and Rendez View is no exception. In 24-metered
markets the program averaged a 1.3/4 down 43% from lead-in and 20% from
September ’00 time period. However, the
best stories are in NO (WWL/11:30PM) 5.4/12, up 20% from year ago and ranking
#1 in the time period, SA (KSAT/12:00M) 2.7/9, flat from year ago levels and OR
(WKMG/12:30AM) 2.4/9, up 29% from September ’00.
We all remember the days of The
Love Boat with Isaac the bartender, Gopher, Doc and Captain Stuebbing
taking us on a cruise of love and romance.
Well, Shipmates takes that idea and combines it with that
of other relationship shows such as Blind Date and Change
of Heart and takes us on a 3-day cruise of love, romance and possibly
rejection. While Captain Stuebbing has
retired, Shipmates is captained by Chris Hardwick of MTV’s Singled
Out fame.
Since Shipmates began in
August, we were able to analyze the show both before and after the events of
September 11th. In this case
there was no major difference as Shipmates aired in 47-metered
markets achieving a 0.9/3 flat from lead-in, but down 25% from year ago
levels. While most relationship shows
work better in late fringe, Shipmates posts better numbers in
daytime (1.0/3) and early fringe (1.0/3).
The best stories can be found in DV (KTVD/3:30PM) 2.9/9, flat from
lead-in and up 50% from September ’00 time period and OR (WKCF/2:30PM) 2.1/6,
also up 50% from year ago levels.
RETURNING RELATIONSHIP SHOWS
Now in its third season, Blind
Date continues to be viewed by most as the standard by which all other
relationship shows are measured. It is
one of the very few relationships shows, if not the only one, to have double
runs in every metered market. The
numbers for Blind Date prove that no matter what daypart this
show runs in it attracts the same audience.
Overall it delivers a 1.5/4, flat from both lead-in and year ago
levels. In daytime, the show achieves a
1.3/4, in early fringe a 1.4/4 and in late fringe a 1.6/4. All airings are flat from lead-in and
September ’00 time period levels.
The best stories can be found in ML (WISN/11PM) 4.8/12 up 20% over September ’00, AU (KNVA/9:30PM) 3.1/5, MS (WLMT/10PM) 3.0/5, up 25% from lead-in and year ago and DV (KTVD/3PM) 2.7/9, up 13% from lead-in and up 29% from year ago levels.
One of the original relationships shows
spawned from Love Connection; Change of Heart now
enters its 4th season with some minor changes. The production has moved from Los Angeles to
New York and is now hosted by stand-up comedian Lynne Koplitz. In 49-metered markets the show achieves a
1.0/3, down 25% from lead-in and down 40% from September ’00 time period. When broken out by daypart, Change of
Heart delivers stronger numbers in late fringe with a 1.1/4, flat from
lead-in, but down 20% from year ago levels.
The best stories are in CH (WPWR/9PM)
2.6/4, SA (KABB/12:30AM) 2.4/9, flat from September ’00 time period and NO
(WVUE/12M) 2.4/6, flat from lead-in yet down 25% from year ago time period
levels.
|
|
Weeks
of 9/17-9/24/01 |
LEAD-IN |
|
VS.
LEAD-IN |
|
SEPTEMBER2000
T.P. |
9/17-9/28/01 VS.
SEPT ‘00 |
|||
|
|
RTG |
SHR |
RTG |
SHR |
% RTG |
% SHR |
RTG |
SHR |
% RTG |
% SHR |
PROGRAM |
|
|
|
|
|
|
|
|
|
|
|
E.T. |
4.7 |
10.8 |
4.6 |
10.6 |
+2% |
+2% |
4.4 |
10.4 |
+7% |
+4% |
|
Judge Judy |
4.0 |
9.3 |
3.0 |
7.4 |
+33% |
+26% |
4.5 |
10.8 |
-11% |
-14% |
|
Inside Edition |
3.6 |
9.4 |
3.8 |
9.9 |
-5% |
-5% |
3.0 |
9.3 |
+20% |
+1% |
|
Extra |
3.5 |
8.2 |
3.7 |
8.9 |
-5% |
-8% |
3.1 |
8.6 |
+13% |
-5% |
|
Access Hollywood |
3.0 |
7.5 |
3.3 |
8.6 |
-10% |
-13% |
3.3 |
9.6 |
-10% |
-22% |
|
Judge Joe Brown |
2.5 |
7.3 |
2.4 |
7.1 |
4% |
+3% |
2.6 |
8.0 |
-4% |
-9% |
|
Divorce Court |
2.1 |
6.6 |
2.1 |
6.5 |
- |
+2% |
2.2 |
7.4 |
-5% |
-11% |
|
People’s Court |
1.8 |
6.0 |
1.4 |
4.7 |
29% |
+28% |
1.5 |
5.7 |
+20% |
+5% |
|
Texas Justice |
1.8 |
6.0 |
2.1 |
6.9 |
-14% |
-13% |
2.1 |
7.4 |
-14% |
-19% |
|
Judge Hatchett |
1.7 |
5.1 |
1.7 |
5.2 |
- |
-2% |
1.6 |
5.4 |
+6% |
-6% |
|
Judge Mathis |
1.6 |
5.1 |
1.6 |
5.4 |
+7% |
+9% |
1.6 |
5.4 |
- |
-6% |
Power
of Attorney
|
1.5 |
5.3 |
1.7 |
6.1 |
-12% |
-13% |
1.9 |
7.3 |
-21% |
-27% |
Cops
|
1.3 |
5.2 |
1.3 |
4.7 |
- |
+11% |
1.2 |
5.2 |
+8% |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
REALITY AVERAGES |
2.5 |
7.1 |
2.5 |
7.1 |
- |
- |
2.5 |
7.7 |
- |
-8% |
Source: NSI WRAP Overnights, metered market program tracks
as dated, weighted averages, excluding Ft. Myers.
PREMIERING COURT SHOWS
Unlike the slew of court shows that
made their syndication debuts last year, this season sees only one new court
show, Texas Justice. Texas
Justice appeared on the scene on a limited “slow roll-out” basis
earlier this year in selected time periods on a handful of FOX-owned
stations. Having met with modest
success on those few clearances, Twentieth Television officially launched the
show this fall.
After two weeks, it appears that Texas
Justice is the highest-rated new syndicated strip in the metered
markets, earning a 1.8/6 HH rtg/shr.
While it has distinguished itself as the strongest performer out of the
gate, the folksy court strip isn’t doing much yet to improve time periods. It’s two week average delivery is -14%/-14%
lower than the September ’00 time period (2.1/7) and it hasn’t been maintaining
lead-in levels either as it falls –14%/-14% from its 2.1/7 lead-in. Although
daytime (1.9/6) is where the large majority of its clearances fall, its
strongest-performing daypart is actually early fringe (2.2/5). Early fringe is the only daypart in which Texas
Justice manages to maintain the levels of its lead-in (2.2/5). In late fringe (1.4/6), as in every other daypart,
Texas Justice is down from year-ago time period history.
It’s worth noting that most of this
program’s strongest deliveries are found on the very stations that were
selected to be part of the show’s initial test run earlier this year. Those FOX-owned stations are, for the most
part, former New World VHF stations.
Among them, DL (KDFW/3:30PM) 3.7/10; AT (WAGA/12:30PM) 3.1/10; HN
(KRIV/8:30AM) 2.7/9; CL (WJW/9:30AM) 3.1/11; RD (WRAL/1PM) 5.6/17; KC (WDAF/1PM)
3.3/11; ML (WITI/2PM) 2.6/9; SA (KENS/9:30AM) 3.4/10; BH (WBRC/1PM) 4.7/12; MS
(WHBQ/2:30PM) 5.0/11; GR (WGHP/1PM) 3.1/10) and AU (KTBC/12:30PM) 3.0/9.
RETURNING COURT SHOWS
Entering its third season,
Divorce Court finds itself the #3 ranked court show in syndication just
behind the perennial leaders Judge Judy and Judge Joe Brown. Having earned a 2.1/7 across all its metered
market clearances in the first two weeks of this still young TV season, Divorce
Court is often paired with other court shows and is double run in
nearly every market. This scenario
likely accounts for its continued modest success. Similar to its top tier stable mates Judge Judy and
Judge Joe Brown, Divorce Court is among the few
court strips to build on or maintain its lead-in levels (2.1/7).
While the majority of Divorce
Court’s clearances fall in daytime (where it averaged a 1.8/6 versus
last year’s 1.9/8), early fringe and access are clearly this program’s strong
suits. The strip averages a
considerable 3.0/7 across its early fringe clearances in 20 markets and this
delivery represents a 7% increase in rating over the September ’00 time period
(2.8/7) and a 15% increase in rating over its lead-in (2.6/7). There are a number of standout performances
for Divorce Court in early fringe. Among them: DL (KDFW/3PM) 3.5/10; AT (WAGA/4:30PM) 6.8/15); DE
(WJBK/3PM) 3.9/11; BL (WUTB/4:30PM) 3.8/9; BH (WBRC/4:30PM) 7.6/16; MS
(WHBQ/3PM) 5.2/12 and AU (KTBC/3:30P) 4.3/13.
Divorce Court may not have many access clearances, but
where it airs it performs quite well.
In DE (WJBK/7PM) 5.7/10, Divorce Court is up 21%/11% over
its own September ’00 delivery (4.7/9).
In OR (WRBW/7PM) 3.1/5 Divorce Court is improving the time
period by 29%/25% over the September ’00 time period. Across the program’s 14 late fringe markets it averages a 1.5/7
which falls below September ’00 time period (1.7/8).
As one of the only court strips to survive last season’s flood of new court shows, Judge Hatchett enters its second season as a mid-pack performer. With two weeks of the new season now past, the program is locked in a tie for 4th place in the genre with People’s Court behind Divorce Court. Overall, Judge Hatchett is averaging a 1.7/5, which grows 6% in rating over September ’00 but falls 6% in share. In addition, the small claims strip maintains its lead-in levels (1.7/5). Unlike Judy, Joe, and to a lesser degree, Divorce Court, Judge Hatchett does not benefit as widely from being paired with other stronger-performing court shows. In many cases, Hatchett is paired with itself, a smattering of weaker court shows or non-court shows.
Averaging a 1.6/5 across 35 daytime
markets, Judge Hatchett is modestly improving over the September
’00 time period average (1.4/5) by 14% in rating while also managing to
maintain its daytime lead-in levels (1.6/5).
Higher HUT levels in early fringe bring Judge Hatchett
higher numbers as the strip posts a 2.1/5 across 11 markets. This delivery is on par with the September
’00 time period as well as its lead-in.
Performances of note include: AT (WAGA/11AM) 3.1/11; AT (WAGA/7PM)
4.5/8; DE (WJBK/3:30PM) 4.1/10; DE (WJBK/6:30PM) 5.3/9; MI (WSVN/3:30PM) 3.6/9;
BH (WBRC/10AM) 3.6/10; BH (WBRC/12:20PM) 5.3/14; BF (WIVB/9AM) 3.7/12; BF
(WIVB/9:30AM) 3.7/12.
Judge Joe Brown maintains its status as the #2 court strip in the genre behind perennial leader Judge Judy. Overall, across 48 markets, Joe Brown delivers a 2.5/7 which is just below September ’00 time period levels (2.6/8) by -4%/-9% and slightly above its lead-in (2.4/7). Access, though home to only 5 market clearances, is Joe Brown’s strongest daypart, which isn’t altogether surprising considering the higher HUT levels. Still, the program notches a 3.9/7 in access which is down from September ’00 (4.3/8), but up over its lead-in by 22%/17%. Second among Joe Brown’s dayparts is early fringe. Across 20 markets, the program averages a 3.5/9 which, again, is slightly below September ’00 levels (3.8/10), but slightly above its lead-in in rating (3.1/9). While daytime is where Joe Brown has the most clearances (23), it is the program’s weakest performing daypart. Here the strip delivers a 1.8/6 which is actually slightly higher than September ’00 (1.8/6) in rating. Interestingly, Joe Brown’s metered market numbers get higher as the market gets smaller. The program barely touches a 2 HH rating in the top six markets, but its numbers really begin to spike upwards on a more consistent basis in market #14 (Tampa) and below. NF (WGNT/7PM) 6.7/11 and BF (WGRZ/5:30PM) 6.4/12 and BH (WBRC/3PM) 6.0/15 stand out as particularly strong performers.
The veteran leader of the court pack continues as such, albeit a bit weaker than last year. With two weeks of new season data available, Judge Judy’s overall average stands at a 4.0/9 which is -11%/-14% below the September ’00 time period (4.5/11). While the program shoulders some losses versus last year, it was able to post some growth over its lead-in. In fact, Judge Judy grows 33%/29% over lead-in levels. As strong a program as it continues to be, Judge Judy is down overall and down in all key dayparts versus September ’00. As has been the case for the last few seasons, Judge Judy doesn’t have very many daytime clearances. With only five markets under its belt in daytime, the program averages a 2.4/8, -11%/-27% below September ’00 (2.7/11). Early fringe is clearly where this program draws its strength. Across 42 markets, Judge Judy averages a 4.1/10, -9%/-9% below September ’00 time period. In access, where Judy has seven market clearances, it delivers a 3.4/6 and this again, is down versus September ‘00’s 4.0/8. Ratings blue ribbons go to the following Judy markets: AT (WAGA/4PM) 6.5/15; TP (WTVT/4PM) 7.3/17; PT (WPXI/4PM) 6.5/15; SL (KTVI/4:30PM) 6.1/15; CI (WLWT/7PM) 6.2/11; BH (WBRC/4PM) 7.5/16 and LV (KLAS/4:30PM) 6.8/13.
As it begins its third season on the
air, Judge Mathis earns an overall 1.6/5 after two weeks of the
new season. This delivery is on par
with September ’00 time period levels and earns it a 7th place
finish among all eight court strips season-to-date. The program’s performance in daytime is flat versus September ‘00
as well, delivering a 1.4/5. Mathis’
early fringe numbers are considerably more solid, averaging a 2.2/5 across 16
markets. These numbers are slightly
lower (-4%/-17%) than year-ago time period (2.3/6), but slightly above (10%/0%)
its lead-in (2.0/5). While Judge
Mathis enjoys a smattering of positive individual market performances
across the country, it seems that many of those stories are concentrated in
southern markets: AT (WUPA/7:30PM) 3.2/5; HN (KTXH/1PM) 3.6/10; OR
(WRBW/5:30PM) 3.6/7; CT (WJZY/4:30PM) 3.0/7; BH (WABM/11PM) 3.2/7; MS (WMC/3PM)
3.2/7 and NO (WVUE/3PM) 3.4/7.
People’s Court is clearly
the court show with the most year-to-year momentum of all court strips and is
up year-to-year in all key dayparts. It
seems as though the shift of judges from Jerry Sheindlin to Marilyn Millian is
paying modest dividends.
Season-to-date, People’s Court is now the #4 court show
just behind Divorce Court.
Registering an overall 1.8/6 across the metered markets, it is up 20% in
rating over the September ’00 time period (1.5/6). This is the largest percent increase of any court show two weeks
into the new season. In addition, People’s
Court is rising well above its lead-in average (1.4/5) by
+29%/+20%. The program got a
particularly fitful boost when New York’s WNBC shifted the program’s time
period back to 3PM from a 10AM berth.
The program’s daytime average (1.6/6) is a 7%/20% improvement over
September ’00 (1.5/5) and a 33%/25% improvement over its lead-in (1.2/4). In early fringe, there’s also good
news. The program’s 2.9/7 average is
21%/17% above the September ’00 time period (2.4/6) and is 32%/17% above its
lead-in (2.2/6). GR (WGHP/4PM) 6.3/16;
OR (WRBW/6PM) 3.9/7; IN (WRTV/3PM) 3.5/10 and SA (KABB/1PM) 3.2/9 are all some
of the bright spots for People’s Court across the country.
Perhaps the grandest and broadest interpretation on the court strip genre, complete with a judge AND lawyers along with legal star power, Power of Attorney is facing an uncertain future. As it now stands, Power of Attorney ranks last among the stable of court shows, earning a paltry 1.5/5 in the metered markets overall. Despite the addition of a new female judge and the notable OJ prosecutor Marcia Clark to this strip’s legal all-star team, Power of Attorney’s anemic season-to-date delivery is down -21%/-29% from September ‘00’s 1.9/7 and falls 12%/-17% from its lead-in (1.7/6). As a matter of fact, Power of Attorney is down year-to-year in all key dayparts. The most dubious omen for Power of Attorney is that in the top eight metered markets, it barely reaches a 2 rating. The program can, however, point to some bright spots: AT (WAGA/9:30AM) 3.6/13; CL (WJW/12:30PM) 2.8/9; RD (WKFT/8PM) 2.8/4; ML (WITI/2:30PM) 3.0/10 and BH (WBRC/3:30PM) 6.3/14.
Cops continues to tow the line, earning a 1.3/5 across the metered markets, up only slightly (8%) from the September ’00 time period (1.2/5) in household rating and basically flat versus its lead-in. With only a handful of markets in daytime (7), Cops delivers a 1.5/6, which is a minute increase over September ’00 time period (1.4/6) and a slight improvement in share over its lead-in (1.5/5). There are even few occurrences of Cops in early fringe (6). In this daypart, the program averages a 1.5/4, which is flat versus the year-ago time period, but a considerable jump (36%/33%) versus its lead-in (1.4/3). The majority of the program’s clearances come from late fringe where it is a familiar and consistent utility player. Cleared in 36 late fringe markets, Cops delivers a 1.2/7 which is just a tenth of a rating point better than the year-ago time period’s 1.1/7.
RETURNING MAGAZINE SHOWS
The #2 entertainment magazine show Access
Hollywood continues its wide clearance on the NBC-owned station group
where it has historically performed best.
Because last season many of these time periods were temporarily occupied
by OLYMPIC-related programming, assessments of the program’s year-to-year time
period performance must be kept in this context. With that said, the Access Hollywood averages an
overall 3.0/8 two weeks into the new season.
Down -10%/-20% versus
the year-ago time period (3.3/10) and down versus its lead-in -10%/-11%, Access
Hollywood is still playing second fiddle when it comes to entertainment
news to Entertainment Tonight.
After 20 years on the air, Entertainment
Tonight is not only the top-rated entertainment magazine show, it is
the top-rated magazine show and the top-rated strip in the entire
magazine/reality genre, even outdrawing Judge Judy. Perhaps because of recent heightened interest
in things news-related, it seems that nearly all the magazines are up in the
first two weeks of the new season versus September ’00 and ET is
no exception. Entertainment
Tonight is averaging a 4.7/11 which is a 7%/10% improvement over the
year-ago time period (4.4/10). ET’s
primary runs air almost exclusively in access, but it now has a wide clearance
of secondary runs that air in late fringe.
After only two weeks, ET can boast of some very impressive
double-digit ratings deliveries a number of markets: AT (WSB/7:30PM) 12.1/19;
DE (WXYZ/7:30PM) 10.1/16; PT (WTAE/7:30PM) 10.2/17; BL (WJZ/7:30PM) 11.7/20; CT
(WSOC/7:30PM) 11.2/18; ML (WISN/6:30PM) 10.7/20; SA (KSAT/6:30PM) 10.0/17 and
MS (WREG/6:30PM) 10.0/16.
Also riding a wave of heightened interest
in news-related programming, Extra is posting some stronger
numbers this year, surpassing Access Hollywood among magazine
shows. As it stands after two weeks, Extra
is delivering a 3.5/8, a bit higher than the year-ago time period’s 3.1/9. Like Access Hollywood, Extra
is widely cleared on the NBC-owned station group from which it draws a great
deal of its foundational strength. In
daytime, Extra’s 12 markets yield a 2.4/8 average which is an
improvement of 20%/14% over the year-ago time period’s 2.0/7, but in (arguably)
its most important access time periods, Extra’s average 5.9/10 is
down from September ’00 (6.2/11), though its delivery is still decent. Late fringe, where Extra is
most widely cleared (25 markets) the program delivers a 1.8/7, which improves
slightly in rating over the year-ago time period (1.5/7).
Syndication’s longest-running general interest newsmagazine strip is, much like Extra and ET benefiting from heightened interest in the news. Inside Edition continues its reign as the second-highest-rated newsmagazine behind ET and comes in an overall #3 behind Judge Judy in the entire court/reality/magazine genre. The program posts a 3.6/9 overall and that’s a 20% improvement in rating over September ’00 (3.0/9), but it is a loss of -5%/-10% versus its lead-in (3.8/10). Inside Edition’s seven markets in daytime (1.8/7) are down year-to-year from a 1.9/8 so it’s safe to say that Inside Edition’s year-to-year momentum is driven by and large by its access markets. In access, Inside Edition averages a 5.8/10, which is an increase of 9% in rating over year-ago time period (5.3/10). Inside Edition’s late fringe clearances in 18 markets (1.9/8) are also on the rise over the September ’00 time period’s 1.4/7 by 36%/14%. Its late fringe delivery also maintains lead-in levels. Notable deliveries can be found in: CT (WSOC/7PM) 10.7/18; RD (WRAL/7PM) 9.7/17; SA (KSAT/10:30PM) 8.4/15; NO (WWL/4PM) 10.5/22; BF (WIVB/7PM) 9.2/16; LV (KLAS/7:30PM) 9.8/15 and JX (WJXT/7:30PM) 11.7/18.
OFF-NETWORK SHOWS
|
|
Weeks of 9/17-9/28/01 |
LEAD-IN |
|
VS. LEAD-IN |
|
SEPTEMBER 2000 T.P. |
9/17-9/28/01 VS. SEPT ‘00 |
|||
|
PROGRAM |
RTG |
SHR |
RTG |
SHR |
% RTG |
% SHR |
RTG |
SHR |
% RTG |
% SHR |
|
|
|
|
|
|
|
|
|
|
|
|
|
Friends |
4.4 |
7.9 |
3.4 |
6.1 |
+29% |
+30% |
4.3 |
8.2 |
+2% |
-4% |
|
Seinfeld |
3.8 |
7.0 |
3.7 |
6.4 |
+3% |
+9% |
3.4 |
6.8 |
+12% |
+3% |
|
The Simpsons |
3.8 |
7.0 |
2.9 |
5.3 |
+31% |
+32% |
3.9 |
7.4 |
-3% |
-5% |
|
Frasier |
3.4 |
6.3 |
3.4 |
6.3 |
- |
- |
4.1 |
8.0 |
-17% |
-21% |
|
Everybody... Raymond |
3.2 |
5.7 |
3.3 |
5.7 |
-3% |
- |
3.7 |
7.1 |
-14% |
-20% |
|
King of the Hill |
2.7 |
5.4 |
2.9 |
5.8 |
-7% |
-7% |
4.0 |
7.3 |
-33% |
-26% |
|
Drew Carey |
2.4 |
4.8 |
3.0 |
5.7 |
-20% |
-16% |
2.9 |
6.0 |
-17% |
-20% |
|
Sabrina |
2.1 |
4.7 |
1.7 |
4.2 |
+24% |
+12% |
2.3 |
5.4 |
-9% |
-13% |
|
Just Shoot Me |
2.1 |
3.8 |
2.5 |
4.6 |
-16% |
-17% |
2.8 |
5.4 |
-25% |
-30% |
|
3rd Rock from Sun |
2.0 |
4.6 |
2.3 |
5.2 |
-13% |
-12% |
2.5 |
6.4 |
-20% |
-28% |
|
Malcolm & Eddie |
1.9 |
4.4 |
2.0 |
4.5 |
-5% |
-2% |
2.2 |
5.4 |
-14% |
-19% |
|
Jamie Foxx |
1.8 |
4.7 |
1.7 |
4.3 |
+6% |
+9% |
1.8 |
5.5 |
- |
-15% |
|
Home Improvement |
1.8 |
4.1 |
1.6 |
3.7 |
+13% |
+11% |
2.1 |
5.0 |
-14% |
-18% |
|
Wayans Brothers |
1.6 |
3.8 |
1.4 |
3.3 |
+14% |
+15% |
1.7 |
4.2 |
-6% |
-10% |
Spin City
|
1.5 |
4.2 |
1.8 |
4.4 |
-17% |
-5% |
1.9 |
5.6 |
-21% |
-25% |
|
7th Heaven |
1.5 |
4.2 |
1.3 |
3.8 |
+15% |
+11% |
1.4 |
4.3 |
+7% |
-2% |
|
Steve Harvey |
1.4 |
3.1 |
1.3 |
3.0 |
+8% |
+3% |
1.6 |
3.8 |
-13% |
-18% |
|
Moesha |
1.3 |
3.4 |
1.2 |
3.2 |
+8% |
+6% |
||||